LON ART

The multi-genre writings of Lon Kaner, from poetry to short screenplays. All material is copyright protected prior to Web Publishing from 1990 - 2006. All comments are welcome here or e-mailed to strobe@mn.rr.com - Don't forget to check the archives! To leave comments here, simply click on the comments link at the bottom of each entry. "Anybody can rant on a blog - this is something entirely different..."

Name:
Location: Minneapolis, Minnesota, United States

Tuesday, April 27, 2004

Herbert

Herbert is a penguin.

It is important that

you get your head around that.

I'll give you a minute.


He's a penguin.


Get that?
A Penguin.
Nothing more.

I'm not trying
to throw you off
by using some
poetic metaphor here.

He is just a penguin.

An ordinary, run of the mill penguin;
not some man dressed in a tuxedo,
or a
man in a penguin suit.

He

is


a


penguin.



Accept it.



Now.


About George...



Monday, April 26, 2004

Tomorrow's Escape (1992)



Lay down your tender heart
Release the tether on your soul
Spin into spontaneity
unbound from the righteous chains
Climb toward the crest of the silken Moon
Feel the ease of your years
for Time has seized what it will
and while Tomorrow eludes Today
Run for the summit of Life's rewards
'till your last breath collides with Eternity
Then you shall tumble
in painless disregard
into your tender heart
with a lofty, spirited freedom
Your soul will sail an infinite voyage
through Time's cascade
of Yesterday's harbors, and Today's jagged reefs
that is where we will meet again
beyond where Tomorrow's escape




Babies in Hawaii (a dialogue Sestina)

Jerome! Come eat your sandwich! I swear, babies in Hawaii are depressing.
You think we should have left him at home with your mother?
Why not? He's not old enough to appreciate all this beauty.
He's almost three, he's bound to remember this trip.
That's not the point. We should be in our room fucking.
If he wasn't here, we'd be doing it right now?

If he wasn't here we'd be all up in that room right now.
You're just trying to make this trip depressing.
I don't know about you, but I'd rather be fucking.
Maybe we could ship him to your mother?
I'm not going to be the one to ruin his trip.
And I'm not going to take him away from all this beauty.

Look at those two kissing in the waves, now that is beauty.
We should go make out in the waves now.
We should get high first, that would be a trip!
Oh no! The side effects are far too depressing.
Honey, you're getting as old as my mother.
Oh shush, you're just upset that we aren't fucking.

Well, we ought to be fucking.
Why aren't you like this at home? Is it the ocean air, or all this beauty?
Think about who's there, huh! Ya! My mother!
You're just coming up with excuses now!
I'm sorry, this whole topic is depressing.
Fine, let's talk about what else we can do on this trip.

There's tons to do, that's why we took this trip.
Well, let's get our minds off fucking.
Fine! Let's do something that's not depressing.
We could take that copter ride, that would be a beauty!
I'm not sure my stomach could handle that right now.
I knew it, you're thinking about your mother.

Well, you're the one who brought up my mother!
I'm sorry! Maybe we should have brought her on this trip?
If she was here, I wonder what she'd be doing now?
She'd be watching Jerome, so we could be fucking.
My mother would love all this beauty.
Enough! This whole conversation has become depressing.

What's depressing is leaving home without my mother!
Oh that is a beauty! I'm sorry, but his is the way we planned our trip.
I can't believe we were that fucking stupid, but there's nothing we can do about it now...

Friday, April 02, 2004

When It Rains (Script)

FADE IN:

INT. KITCHEN - DAY

The kitchen is a disgusting mess. Pots, pans, plates, glasses, and silverware lay dirty on the counter tops. The white of the walls are stained yellow in places, and a towel calendar from the year 1979 hangs ripped at the corner, and nearly falling off its nail.

Three boys are seated at the kitchen table, which is actually two card tables placed together and no table cloth. JOHN, male, 14, wearing a sleeveless t-shirt and blue jean cut-off shorts, is sitting at the “head” of the tables. PETER, male, 12, wearing the famous black AC/DC lighting bolt t-shirt and jeans ripped at the knees, is on John’s right. And SAM, male, 10, black eye glasses taped at the nose piece, badly colored in by a brown magic marker, khaki slacks cut off at the knees, and a pajama shirt missing its top button, is on John’s left.

The three of them are eating sandwiches off paper towels, and taking turns dipping into a large bag of Dorritos. Two dirty glasses of water sit in front of John.


PETER

Let me have some water.

JOHN

Finish first.

SAM
(to Peter)

Did you buy it today?

PETER
(to John)

You didn’t tell him?

JOHN

I bought it.

SAM

Really? You got it?

JOHN

Shut up and finish now.


INT. BEDROOM - DAY

MARCUS, male, 51, very skinny, lays on his back, sweating, topless, half covered by a yellow stained white bed sheet, in a double size bed. He is asleep and mumbling incoherently at the sky. He rolls from side to side, never turning over.

The small bedroom contains only Marcus and his bed. The brown carpeted floor is covered with mens underwear, a belt, white sweat socks, and white t-shirts, some looking newer than others. The dark gray sky is visible through the one window to the outside world at the foot of the bed. A portion of the farm yard is also visible, as it is framed by a dirt road and rows of wheat.

Small droplets of water start to slowly cover outside portions of the window. Marcus continues his mumbling, and sweating.


INT. KITCHEN - DAY

Peter finishes off his sandwich.

PETER

I’m done.


John places one of the glasses of water in front of Peter. Peter gulps the water rapidly spilling a small amount down the corners of his mouth.

JOHN

Easy! That’s all you’re getting ‘till dinner.


Sam finishes his lunch and John places the last glass of water in front him. Sam downs the glass quickly.

SAM

Why you never drink water?

JOHN

I have mine in the middle of the day, not to worry.

SAM

I want mine in the middle day too.

JOHN

You need it to wash down your meal. You’re still growing.

SAM

You done growing?

JOHN

Sam, get your shoes on.

PETER

What we got to do today?

JOHN

We still haven’t cleaned the second silo.


The faces of the three boys pale as the rain TAPS on the roof grow louder and faster.

PETER

Shit, it’s raining!

SAM

He’s going to start again!

JOHN
(to Peter)

Did you get the wood I asked you to get?


PETER

Pine. We could only afford untreated, and the nails. The trucks nearly out of gas too.


A loud SCREAM from Marcus in the bedroom reaches the kitchen and echoes through the small house.

JOHN

I wish he was better at predicting the weather than telling it.

We can hear the POURING RAIN outside. The boys jump up from the tables and exit into the living room.


INT. BEDROOM - DAY

The three boys enter the bedroom where Marcus is writhing on the bed. Marcus lets loose a loud SCREAM of horror.


JOHN

Dad! Relax, it’s just rain!


Marcus doesn’t show that he even knows the boys exist let alone hear them. Marcus continues to squirm as if inflicted with Cerebral Palsy. One arm doesn’t move with the rest of his body, and the leg on the same side is pointed in an awkward position.


PETER

How much longer we going to let him be like this?


SAM

Are you going to do it?

JOHN

I’m not ready.


PETER

When then?


JOHN

I don’t know! You want to do it?


PETER

It’s up to you. You did get it, right? You never showed me.


JOHN

What’s to show?


Marcus screams.


JOHN

He is getting worse.


SAM

Maybe we shouldn’t.


John leaves the room.


PETER

Sam, maybe you should leave?


SAM

I’m old enough.

PETER

Since when?


SAM

Since Daddy took me hunting last year after Mama went.


Marcus screams.


PETER

This is different. We ain’t hunting.


SAM

I know that.


John enters holding a handgun.


PETER

Is it loaded?


JOHN

It’s loaded. Sam, maybe you should go to the barn and fix hay?


SAM

No, I’m old enough. Besides it’ll be too wet now.


JOHN

You should do it Peter.


Marcus screams.


PETER

I don’t want to do it.


JOHN

He should of died that day.


SAM

We been through it a hundred times.


PETER

It’s what he would want us to do, like Franklin.


JOHN

You remember Franklin, Sam?


SAM

He was real sick.


PETER

Daddy had to put him down, wasn’t nothing else to do except let him suffer.


Sam sits down on the edge of the bed. Marcus continues to wail. John and Peter sit down on the floor facing Sam. John places the gun on the floor next to him, and leans forward cross-legged. Peter leans back on his hands.


SAM

Daddy ain’t no cow.


JOHN

We know, Sam. But you got to see that it’s the same thing.


SAM

What about after?


Marcus screams.


JOHN

We plan to put him next to Mama, he’d want it.


SAM

You sure it’s loaded?


A very loud CRASH comes from outside the front of the house, shaking the contents of the bedroom.


PETER

Shit! What was that?


John and Peter leap up and run out of the room.


INT. FRONT DOORWAY - DAY

John swings open the small front door. Through the screen door, a large piece of aluminum has collapsed onto the front porch.


PETER

Damn!


JOHN

Dad was going to fix that roof. You should of reminded me.


PETER

I can’t remember everything.


JOHN

Nothing to do about it now.


PETER

We can’t lift that.


JOHN

You think the screaming is because of this?


PETER

Every time it rains, it’s like he’s trying to say something.


JOHN

We’ll figure out...


An ear shattering GUNSHOT frighteningly echoes throughout the house. John and Peter reel around and run to the bedroom.


INT. BEDROOM - DAY

John and Peter enter the room to see Sam holding the gun in his hand. Sam’s face is expressionless and pale.


SAM

I seen it loaded.


JOHN

Sam?


SAM

I told you I was old enough.


The wall behind Marcus’s head is now stained yellow and bright glossy red. The red is spattered in a radiant pattern from his head. Peter begins to cry and walks out of the room.


JOHN

Put the gun down Sam.


SAM

He’s out of pain now.

JOHN

You’re right, Sam. Now put down the gun.


SAM

We going to put him next to Mama, ain’t we.


JOHN

Yes, Sam. That’s what we going to do.


Sam holds the gun out for John. John takes it and empties the chamber. The five unused bullets slide into his hand, and he pockets them. John stuffs the gun half way into his pants.

The sound of the rain outside grows louder still.


JOHN

We need to get this cleaned up before it dries.


SAM

Did you make Daddy’s box yet?


John refuses to cry through the welling of tears in his eyes.


JOHN

Peter and I will do that now. Help me move this to the middle of the room.


John and Sam move the bed to the center of the room.


JOHN

I suspect you’re old enough to clean up that wall.

(toward the door)

Peter!


John walks out of the room. In the hallway, you can hear him start to CRY.

Sam stares blankly at the bed and Marcus. He drops to his knees and begins sobbing into his hands.

FADE OUT.